The five-channel video installation emerges from a specific set of material/process relations: mounting cameras directly onto tree branches allows the forest's wind patterns to determine the frame’s movement and trajectory. This methodology displaces the traditional human-body-centric cinematic gaze, grounding perspective instead in a "more-than- human" experience. The installation functions as an ensemble of ve distinct yet interconnected rhythms, coalescing into a cohesive visual and sonic field.
The Balkans are a windswept region. Historically, it has been a place where north-eastern storms meet Mediterranean breezes, where winds from distant world powers alternate with gusts from close neighbors. It is not a place where comfort and tranquility endure, nor where simple calculations resolve into precise equations. The storm conjured by contemporary geo(political)logical shifts evokes the Benjaminian gure of the Angel of History — propelled ever backward into the future, as the pile of debris from the past rises before it, skyward.